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The series is done in the style of film noir and combines the feel of a detective show with the mecha genre of anime. The setpieces are reminiscent of tokusatsu productions of the s and s, particularly Toho's kaiju movies, and the score is an eclectic mix of styles and musical homages. Watch The Big O free without downloading, signup.
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Direct download via magnet link. It finished its run on January 19, The English-language version premiered on Cartoon Network on April 2, and ended on April 18, Originally planned as a episode series, low viewership in Japan reduced production to the first Positive international reception resulted in a second season consisting of the remaining 13 episodes; co-produced by Cartoon Network, Sunrise, and Bandai Visual.
The city is located on a seacoast and is surrounded by a vast desert wasteland. The partially domed city is wholly controlled by the monopolistic Paradigm Corporation, resulting in a corporate police state. The city is characterized by severe class inequity; the higher-income population resides inside the more pleasant domes, with the remainder left in tenements outside.
Residents of the city believe that they are the last survivors of the world and no other nations exist outside the city. Androids and giant robots known as 'Megadeus' coexist with the residents of Paradigm City and do not find them unsual. The main protagonists are Roger Smith, Paradigm City's top negotiator and pilot of the megadeus Big O; and Dorothy Wayneright, an android living with Roger after the murder of her father. Supporting characters are Angel, a mysterious woman in search of memories; Dan Dastun, chief of the military police of Paradigm city and old friend of Roger Smith; and Norman Burg, butler of Roger Smith and mechanic of Big O.
The main antagonists are Alex Rosewater, chairman of Paradigm City whose goal is to revive the megadeus 'Big Fau' in attempts to become the god of Paradigm City; Schwarzwald, an ex-reporter obsessed with finding the truth of Paradigm City and pilot of the megadeus 'Big Duo'; Allen Gabriel, a cyborg assassin working for Alex Rosewater; and Jason Beck, criminal and con-artist attempting to humiliate Roger Smith. The series ends with the awakening of a new megadeus, and the revelation that the world is a simulated reality.
A climactic battle ensues between Big O and Big Fau, after which reality is systematically erased by the new megadeus, an incarnation of Angel, recognized as 'Big Venus' by Dorothy. Roger implores Angel to 'let go of the past' regardless of its existential reality, and focus only on the present and the future.
In an isolated control room, the real Angel observes Roger and her past encounters with him on a series of television monitors. On the control panel lies Metropolis , a book featured prominently since the thirteenth episode, with the cover featuring an illustration of angel wings and gives the author's name as 'Angel Rosewater'.
Big Venus and Big O physically merge, causing the virtual reality to reset. A white flash subsides, and the first scenes of the first episode of the series play out. New versions of Dorothy and Angel watch Roger drive down the street as he delivers again his first speech of the series 'My name is Roger Smith. I perform a much needed job here in the City of Amnesia' , although he is a little hesitant this time.
The ending title card, 'We have come to terms,' appears, and the credits roll. Development of the retro-styled series began in Keiichi Sato came up with the concept of The Big O : a giant city-smashing robot, piloted by a man in black, in a Gotham-like environment. He later met up with Kazuyoshi Katayama, who had just finished directing Those Who Hunt Elves , and started work on the layouts and character designs.
But when things 'were about to really start moving,' production on Katayama's Sentimental Journey began, putting plans on hold. Meanwhile, Sato was heavily involved with his work on City Hunter. Sato admits it all started as 'a gimmick for a toy' but the representatives at Bandai Hobby Division did not see the same potential.
In , with the designs complete, Chiaki J. Konaka was brought on as head writer. Among other things, Konaka came up with the idea of 'a town without memory' and his writing staff put together the outline for a episodes series. When the production staff was informed the series would be shortened to 13 episodes, the writers decided to end it with a cliffhanger, hoping the next 13 episodes would be picked up.
The series garnered positive fan response internationally that resulted in a second season co-produced by Cartoon Network and Sunrise. The second season was scripted by Chiaki Konaka with input from the American producers. On June 20, , Sentai Filmworks released both seasons on Blu-ray. His composition is richly symphonic and classical, with a number of pieces delving into electronica and jazz.
The background music draws from film noir , spy films and sci-fi television series like The Twilight Zone. The battle themes are reminiscent of Akira Ifukube's compositions for the Godzilla series. The first opening theme is the Queen-influenced 'Big-O! The second opening theme is 'Respect,' composed by Sahashi. Show Must Go On,' a s hard rock piece, for Animax's reruns of the show.
The closing theme is the slow love ballad 'And Forever The duet is performed by Robbie Danzie and Naoki Takao. Along with Sahashi's original compositions, the soundtrack features Chopin's Prelude No.
The series is done in the style of film noir and pulp fiction and combines the feel of a detective show with the giant robot genre. Film noir is a stylistic approach to genre films forged in Depression-era detective and gangster films and hard-boileddetective stories which were a staple of pulp fiction. Low-key lighting schemes mark most noirs.
Film noir is also known for its use of odd angles, such as Roger's low shot introduction in the first episode. Noir cinematographers favoured this angle because it made characters almost rise from the ground, giving them dramatic girth and symbolic overtones. Other disorientating devices like dutch angles, mirror reflection and distorting shots are employed throughout the series.
The characters of The Big O fit the noir and pulp fiction archetypes. Big Ear is Roger's street informant and Dan Dastun is the friend on the police force. The recurring Beck is the imaginative thug compelled by delusions of grandeur while Angel fills the role of the femme fatale.
Minor characters include crooked cops, corrupt business men and deranged scientists. Noir characters often wisecrack and speak in double entendres. The characters come off as charming and exchange banter not often heard in anime series, as the dialogue has the tendency to be straightforward. The plot is moved along by Roger's voice-overnarration, a device used in film noir to place the viewer in the mind of the protagonist so it can intimately experience the character's angst and partly identify with the narrator.
The urban landscape, Paradigm City, is the perfect noir milieu. Noir protagonists often look for sanctuary in such settings but they just as likely end up becoming a killing ground. While no classic noir possesses a jazz score, the music could be heard in nightclubs within the films.
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